JAPANESE



A documentary film, TOKYO Ainu, now in progress, features Ainu, who inherit and promote their traditional culture in Greater Tokyo (Tokyo and its surrounding Prefectures), away from their traditional homeland, Hokkaido. Free from a common supposition that all Ainu live in Hokkaido, the film captures feelings, thoughts and aspirations of Ainu, who try to follow the Ainu way no matter where they live.

Helard-Asahi Article

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Not to mention the fact that many place names throughout the Japanese archipelago are of Ainu origin, there is proof that the Ainu were indigenous to the northern areas of Japan. In the Edo Period, when the prospering shipping trade between the Northern and the Western parts of Japan prompted the Japanese to extend their influence into the Ainu land called Ainu Mosir (meaning gthe quiet earth where humans liveh), driving the Ainu further north and exploiting them as laborers. In the process of colonizing and developing Hokkaido by the new Meiji Government, the Ainu were deprived of their land and culture, subjected to a turbulent history of displacement and marginalization. The Ainu, however, have survived this hardship and kept up their ancestral ties to this day.

In September, 2007, the United Nations adopted the Declaration on the Rights of Indigenous Peoples. This marks an important step toward facing up to colonialism, a dark stain on the history of modern states, and overcoming it with the concept of human rights, a universal value capable of counteracting economic and military powers.
The Japanese Government not only voted in favor of the historical adoption of this declaration, but also spoke in explanation of position after the vote. However, the speech was a hollow tribute based on the governmentfs previous position that there are no indigenous peoples in Japan, despite the UN official recognition of the Ainu as indigenous to Japan. How many Japanese know this absurdity and feel indignation?

The Ainu living in Tokyo and its surrounding areas launched a signature campaign, demanding that the Japanese Government recognize the Ainu as an indigenous people in Japan and respect the UN Declaration on the Rights of Indigenous Peoples. Their efforts were rewarded on June 6, 2008, when the Upper and Lower Houses of the Diet adopted a non-partisan resolution urging the government to officially recognize the Ainu as indigenous and promote relevant measures for them. It took as long as 140 years for lawmakers to move towards granting the Ainu their indigenous rights, which were taken away when the Meiji Government made Hokkaido virtually a domestic colony.

In July this year, the G‚WSummit will be held at the heart of Ainu Mosir--in Toyako, Hokkaido. The main issue will be how to balance economic growth and environmental protection against the backdrop of imminent crisis of global warming. This puts in focus indigenous peoples of the world, who have nurtured distinct cultures by living off forests, rivers and sea in harmony with nature and-the people living on the environmental frontline. Taking advantage of this occasion when the leaders of the world will gather in Toyako, attracting global media attention, the Ainu and their supporters will hold the Indigenous Peoples Summit in order to warn of the destruction of nature going on in this archipelago and redress historical injustices inflicted on the Ainu.

TOKYO Ainu, a documentary film now in progress, sheds a common supposition that the Ainu live only in Hokkaido, and transcends a stereotype seeing them only from the perspective of the Ainu living in harmony with nature. Instead, the film captures current images of Ainu people who live in Greater Tokyo and inherit and promote their traditional culture and values. Not employing usual archeological or natural history approaches, the director fixes his gaze on Tokyo Ainu, who endeavor to walk the Ainu way no matter where they live, bringing in sharp focus their aspirations and promises held for them.

The shooting commenced in spring, 2007, with an idea of featuring one Ainu gEkashih (elder) in Tokyo. Haruzo Urakawa has been single-handedly building facilities for Ainu cultural inheritance, called gKamui-mintarah (ga garden where Ainu gods playh in the Ainu language) in Kimitsu, Chiba Prefecture. Along the way, however, the concept of the film was expanded to cover more Ainu living in Greater Tokyo. The title of the film was also changed from gHaruzo, an Ainuh to gTOKYO Ainuh. Its short, introductory version will be shown at the Indigenous Film Festival to be held in Sapporo, Hokkaido, during the last week of June and the first week of July as part of pre G8 Summit grass-root events.

The Ainu in Tokyo are active and there are locations and occasions in Tokyo that allow you to witness their activities. There is an Ainu restaurant, Rera-Cise, in Nakano, and the Ainu Culture Center in Yaesu, just a few minutesf walk from JR Tokyo Station. In August, a memorial service is held for the spirits of the deceased Ainu who were forcibly brought to Tokyo in the early years of the Meiji Period. In November, gCharanke Festivalh is held jointly with people from Okinawa at a plaza near JR Nakano Station.

The director of the film is award winning Hiroshi Moriya, former TBS television director, who is highly acclaimed for documentaries on indigenous peoples in Siberiya and the Amazon. gThe Philosophers of the Forest, the Mehinakuh is one of his representative films. He has accepted the request from the gTOKYO Ainuh Production Film Committee to direct the film in spite of fund shortage, and has been devoting himself to capturing the images of Ainu men and women in Tokyo, who constitute an important part of cultural diversity Japan. The gTOKYO Ainuh Film Production Committee welcomes your financial support to bring this project to completion.

The gTOKYO Ainuh Film Production Committee welcomes your financial support to bring this project to completion
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"TOKYO Ainu" Film Production Committee

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A tentative footage uploaded on YouTube was withdrawn for further editing and addition. It will take a while to complete a promotional footage, but when completed, it will be shown on the Web.


The Production of gTOKYO Ainuh was conceived at the request of some Ainu living in Tokyo and its surrounding areas. Those sharing the same vision came together and the shooting started with a tiny seed money. The production of the film has been financed by supportersf purchase of cooperation vouchers and donations.
We need your support in order to complete the production and your financial contributions will be most appreciated.


5,000 yen for one voucher with no limit to the number of vouchers one individual can purchase.

With each voucher purchased, the purchaser is entitled to the following:
–One special DVD containing promotional footages
–Delivery of the gTOKYO Ainuh Film Production Committee newsletter
–Invitation of two persons to a special preview

[Notes] The gTOKYO Ainuh Film Production Committee newsletter will be delivered irregularly through a Yahoo mailing list to your mail address notified at the time of purchase.
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Groups wishing to show the film to an audience can purchase group cooperation vouchers. One voucher is 50,000 yen with no limit the number of vouchers one group can purchase.

With each voucher purchased, the purchaser is entitled to the following:
–The right to show the film to an audience once
–Two special DVDs containing promotional footages
–Delivery of the gTOKYO Ainuh Film Production Committee newsletter
–Invitation of five persons to a special preview

[Notes] The gTOKYO Ainuh Film Production Committee newsletter will be delivered irregularly through a Yahoo mailing list to your mail address notified at the time of purchase.


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Please state the
kind and quantity of the voucher you would like to purchase along with your name and e-mail address, phone number and address and send it by the following webpage.

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"TOKYO Ainu" Film Production Committee




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